
VIDEO: King P, Philharmonic & Springle – Hamba Nama Bozza ft. DBN Gogo
The music video for “Hamba Nama Bozza” is a high-energy, swagger-heavy, street-rooted celebration of dominance, power, and movement — the kind of visual that embodies the fearlessness and flamboyance of the Amapiano scene at its peak. It’s loud, stylish, confident, and fueled by a vibe that screams leadership, status, and the prestige of rolling with “the bosses.”
DJ Givy Baby, Leemackrazy and Sir Trill recently appeared on SALUTE featuring King P, Tzzy Makhathaza and Mr Seven Keys.
From the opening seconds, the viewer is dropped straight into a world of flashing lights, bold street fashion, pulsing dance energy, and commanding camera angles. The environment is urban and dynamic: parking lots, industrial backdrops, outdoor night scenes, and performance corners filled with movement. The camera stays close, constantly shifting, giving the video an almost documentary pulse — as if capturing real moments rather than staged ones.
King P exudes presence from his very first scene. His swagger isn’t loud; it’s controlled and authoritative. The camera frames him from slightly low angles, emphasising stature and leadership. His gestures, stance, and vocal delivery radiate confidence — he feels like the anchor around which the chaos orbits. His wardrobe mirrors this: bold pieces, stylish cuts, and colours that pop under neon light.
Philharmonic brings a more melodic, fluid energy. His scenes are often framed in tighter shots — showcasing expressive facial moments, hand gestures, and vocal emotion. He is the balance: adding musicality to the raw street essence of the video. When he appears, the lighting softens slightly, weaving between gold, orange, and warm tones, symbolizing a smoother layer in the track.
Springle is the engine of the video’s movement. His unique vocal style is matched visually by his animated performance: sharp gestures, wide smiles, unpredictable movements, and infectious enthusiasm. His scenes often include dancers or crowd presence, highlighting his role as the pulse of the rhythm. He bridges the worlds of party, street, and art effortlessly.
When DBN Gogo enters the frame, the atmosphere shifts. She arrives not as a guest but as a commanding force, her presence instantly elevating the scene. Her confidence is magnetic — the kind that doesn’t need exaggerated movement. The camera often follows her in slow motion or locks onto her calmly powerful expression, emphasizing her status as one of Amapiano’s true front-runners. Her styling is bold, trendy, and authoritative, signalling her position among the “Bozza” referenced in the song.





